The Role of the Soul

As our unfolding continues on through the mystery, clues keep arriving to help orient to wholeness and facilitate the emergence of the next levels of consciousness necessary to help navigate our historical moment. Through a very typical Ojai convergence, I have just come across the work of Bill Plotkin, author of ‘Soul Craft” , “Nature and the Soul”, and his most recent book, “Wild Mind”.  As a fellow soul traveler with strong links to Thomas Berry and Brian Swimme, Bill’s unique perspective strongly resonates with me and I hope you can find great inspiration from his vision as well

As a psychotherapist, Bill has a deep curiosity about mind, conscious, sub-conscious and unconscious, and has a great vocabulary to help map and flesh out the psychic and hopimedicinewheelpsychological terrain we are all exploring. He is familiar with Internal Family Systems and Voice Dialogue, and has developed his own model and language for the mature and immature parts, based in part on the Native American ‘medicine wheel’ and the four cardinal directions, north, east, south and west, as seen here. Bill also adds in Greek mythology, Jungian psychology, archetypal imagery, and more, but also allows you to find metaphors and language that speak to your own unique self.

From the four cardinal directions, which we can imagine as a horizontal plane, we add three more directions: above, or towards the heavens and celestial realms, which we call Unknown‘Spirit’; below, down into the earth and the heart of mother nature which we call ‘Soul’; and finally into the center of all, which I call the ‘Ego’. We all begin at the center and maturing brings an integration of all seven directions, which I call the ‘Self’. Integration does not imply that every aspect and possibility has matured and completed its unfolding. Just that all seven directions are included in our basic ‘self sense’, and some maturity has begun to deepen the way in which the seven nurture and support each other in their emergence and deepening maturity. Wholeness is our natural state, but we forget, and the ego begins to act from the parts and sub-personalities that are cut off from the others. In “Wild Mind”, Bill goes into great depth about the seven directions and I highly recommend this to you.

***(an important note on language; words are, as the Buddhists say, are fingers pointing at something, but definitely not the object or experience they are pointing to. Spirit and Soul are words pointing to the same experience as the Sanskrit terms Purusha (timelessness, unboundedness, stillness: the masculine expression of divinity) and Prakriti (creation, mother Nature, impermanence, the feminine expression of Divinity. Bill and I agree in this, whereas Adyashanti reverses the words, using Spirit for the feminine and Soul for the masculine. But then Bill Plotkin uses Ego and Self opposite to the way I do. He uses the expression 3-D Ego to describe what I call the Self. He has a more Western based perspective, myself more Eastern. But the principles are exactly the same.)

Bill’s other passion is wilderness and uses wilderness expeditions for vision quests, soul IMG_0405searching, and other means to break out of the shell of a ‘civilized’ ego. Our self sense has become so limited, stunted and deformed by modern society that we have developed a major cultural psycho-pathology that is destroying the planet. Wilderness experience, going one on one, alone with nature, with some guidance, allows a major shift that can open repressed skills and means of knowing that are essential to our growth and survival, as individuals, and as a species.

As somanauts, our encounter with nature can also be an inner voyage to the cells, organs, meridians, nadis, energy channels and fields that comprise our bio-spiritually embodied selves. This is level one soul work. The role of the soul is to help us fully embody our divinity, inwardly and outwardly. In yoga, we explore the seven directions spatially, through movement, imagination and perception, in postures, to shift consciousness from the everyday routine to a communion state with the soul. We become one with earth, water, fire and air, we feel their gifts, their presence, their power, so when we are out in nature, we already are deeply connected through the elements. The deeper dimensions of the soul can then begin to reveal themselves as we meet the birds, bees, flowers and trees, oceans, waves, winds and rain as dimensions of our own deep soul. We no longer observe nature from a distance, but dissolve into the mystery of the unfolding moment. The soul is not about control, but surrender into Creation at the most primary level.

Grad student homework: (This may take a while, or it may come quickly!)

Find your own chakra totem, one animal/plant being for each chakra, one through seven. Find the gift/feel/flow of each of these and how they relate to the other six. You may find only one to begin, but this can be a very rich exploration in and of itself. This is a soul meditation. These are some possible starting points. You may find others as well. Good luck!

Who is my root support?
Who awakens my feeling of flow?
Who empowers me?Who offers my heart roots and wings?
Who liberates my voice?
Who helps me see all?
Who is my primary celestial guide?

Take what arises onto the mat, and out into Nature and the world around you. Be open to surprise.

Re-Birthing Yourself

Every morning (unless you are a night-owl), you awaken to a new day and a new set of possibilities to unfold. As we look more deeply into the nature of reality, we begin to see that not just every day, but every breath offers the same opportunity to give birth to something new. In our work with pranayama over the previous few blog posts, we have discovered that breathing, when relaxed, arises from, and dissolves back into Stillness. Thus breathing is a major factor in our ability to ‘realize’ that the limitless mystery that is Stillness (or Silence, Buddha Nature, Purusha, Atman, etc) is the source of all that arises moment to moment. We are developing a proficiency in staying grounded in Stillness. Keep it going!

But what are the factors that shape what arises? How can we overcome habituated responses to life that drain our energy? How can our own unique creativity participate in the moment to moment unfolding? Lets look at some of the layers available to our investigation.

  1. The Cosmic Fields: 13.7 billion or so years ago, the manifest universe emerged into being guided by what we may call the laws of physics. Energy, particles, atoms, stars and galaxies burst into being and variations of these continue to be self emerging and self sustaining. The sun, moon, planets and stars continually move around, but we can guarantee they will be here moment to moment.
  2. Our Geological Fields: Mother Earth emerged into being some 4.5 billion or so years ago and continues to re-birth herself moment to moment through her movements, weather patterns, geological upheavals and water flow. If you have chosen to be here, Mother Earth will appear moment to moment in your reality.
  3. Our Biosphere: The 8.7 million living species currently on the planet re-birth themselves moment to moment. Individual members die off and new ones emerge, species die off and new ones emerge, in an extraordinary dance. Where ever you go, the biosphere will be with you moment to moment, including you own living body which includes 30 trillion cells that have your DNA, and 300 trillion more bacterial cells which have their own DNA. Moment to moment there is a lot going on!
  4. The Noosphere: A term coined by Teilhard de Chardin, noospere refers to the energetic fields generated by human thought and carried through culture in various forms. Science and religion are just two of the more obvious aspects, but educational, judicial, political, and artistic and many other social systems are also included. Every moment we awaken to the collective field the humans give birth to through their thought driven behavior.
  5. Our own inner world: You wake up and your ideas, beliefs, memories, habits and patterns of emotional energy, likes, dislikes, plans and schemes are all there re-emerging, or lying latent for the right input to activate them. Habits are a two edged sword, as they can liberate the intelligence to look into more complex processes, but they can also keep you unconscious. This is the level where we can choose to give birth to something new, if we are awake, paying attention, and resting in the Stillness. The Upanishads offer some insight on some of the structures and possibilities available to us to help in our transformation.

A yogi’s model of reality, from the Taittiriya Upanishad:

We are are composed of 3 bodies, further divided into five nested sheaths or layers known as koshas. These extend inward from gross to subtle. All emerge from the Luminous Emptiness of Stillness. What is false dissolves into emptiness, (shunyata). what is real, the ground of all that arises, remains as light or luminosity.

The Gross Body (Sthula Sharira) has one sheath:
the Anamaya kosha: the body of food. We have weight and mass, as does all the matter in the universe. We study anatomy to make sense of how our structures interact. The known universe has a gross body we all share. Realizing that the whole universe is my body is an awakening that can arise in any and every moment. Feel this! Nurture this!

The Subtle Body (Sukshma Sharira) has three sheaths:
Pranamaya Kosha: the body of energy: we are also energetic beings, bubbling over with electrical, thermal and kinetic energies that are gifts from the dynamic energies of sun, moon, stars and galaxies. We embody this individually in our physiology, or the 5 pranas. Live well, stay healthy, give birth to health moment to moment.
Manomaya Kosha: the body of mental activity, including perception, memory and learned behavior patterns, and our personality structures. The universe is also imbued with perception and memory. Healthy use of this realm greatly eases our lives and deepens our capacity to dive into the unseen psychic/shamanic realms. Unhealthy use locks us into inflexible beliefs and patterns of behavior that perpetuate suffering through the generations through the Attachment process and other social and cultural fields. Healing comes from awakening the next level and integrating:
Vijnanamaya Kosha: the body of intelligence, also known as Buddhi. We can discern and discriminate. We can imagine. We can choose to change our actions, if we stay present, patient and alert. These conscious changes come from Stillness. But habits can carry on unconsciously and imagination can lock onto pathology. The intelligence is greatly nurtured when in can be integrated with the next level:

The Causal Body or Karana Sharira,  has one sheath, the Anandamaya Kosha,  the body of ecstasy or bliss. Here is Divine Revelation as the intelligence finally dissolves into wholeness and every atom and molecule, every form and pattern sings and dances in a Cosmic symphony that is ecstatic. We miss this because we are distracted by the confusion and delusion generated in the other layers when they are less than conscious.

As the anandamaya kosha awakens, the cosmic fields of the anamaya and pranamaya koshas are felt by the enhanced perception of the manomaya kosha. The vijnanamaya kosha can then recognize confused ideas, beliefs and patterns as seed forms in the manomaya kosha and, through imagination creativity and surrender into the cosmic fields, transform their energies into further spiritual growth and participation in the cosmic unfolding. All five levels function together as they arise and dissolve moment to moment.

The Practice: Sama Vrtti Pranyama

Remember, pranayama can be done as a kriya or cleansing, healing physiology, calming nerves, transforming the soft tissue structures of diaphragm, inter-costals, organs and spinal canal. Or, we can use it as meditation, to deepen our ability to stay in luminous emptiness. Sama Vritti is a meditative pranayama, as we are not specifically looking to expand the chest or stretch the diaphragm, having done that previously in asana and other pranayamas. We are looking to bring a deep sense of balance which can reveal the mystery of luminous emptiness.

In a comfortable sitting pose, or a supported reclining pose, spend several minutes settling in and observing the flow of the breath. Notice that the inhalation and exhalation probably do not have the same qualities of length, quantity and ease. They might, but… Be curious and attentive.

In sama vritti part 1, we will look to balance out the length of time of the inhalation and exhalation. You can count, like in music, or just feel it through. If you inhale to a four count, allow the exhalation to also have a four count. Back off on the easier phase, rather than trying to push to more challenged one. If your inhalations are generally easier and longer than the exhalation, let the inhalation be shorter to help balance. Same if the exhalation is easier. Let the pauses be soft and natural. You can spend years just on this level.

Part 2. We add a pause after inhalation, antara kumbhaka. In ‘Light on Pranayama” Iyengar suggests you start with a shorter retention, so the ratio of inbreath – retention – outbreath would be 1 – 1/4 – 1. With more experience (and much more space and elasticity in the chest), you can move to 1 – 1/2 – 1, 1 – 3/4 – 1, and finally 1 – 1 – 1.

Iyengar also suggests, and I agree wholeheartedly, that if you are not experienced in the retentions, only add them to sama vrtti part 1 every 4th or 5th breath. This is true for all levels of pranayama practice. When adding something new, allow several normal breaths to come between each pranayama breath. That will minimize strain and allow you to see how the relaxtion can deepen when this is natural and not forced. There is always some level of awkwardness when learning something new, but your intelligence can monitor the overall feeling and keep you on track.

Part 4: add the retention after exhalation. Start with smaller pauses until a relaxed ease is felt in the transition. Gradually work toward a 1 – 1 – 1 – 1 rhythm. The inhalations and exhalations will be naturally shorter to accommodate the longer retentions. You will begin to feel the that the antara kumbhaka is just continuation of the in-breath, without the gross breath moving, and the bahya kumbhaka is a continuation of the exhalation, with the further letting go internal.

Part 5: after any and all practice, savasana. Digest and rest in the luminous emptiness, drashtuh svarupe, avastahnam. Be born again, with your original face, radiant and free.

Pranayama: Cleansing the Doors of Perception

    William_Blake_by_Thomas_Phillips “I then asked Ezekiel, why he eat dung, & lay so long on his right & left side? he answer’d, the desire of raising other men into a perception of the infinite; this the North American tribes practise, & is he honest who resists his genius or conscience only for the sake of present ease or gratification?
The ancient tradition that the world will be consumed in fire at the end of six thousand years is true, as I have heard from Hell.

For the cherub with his flaming sword is hereby commanded to leave his guard at tree of life, and when he does the whole creation will be consumed, and appear infinite and holy, whereas it now appears finite and corrupt.

This will come to pass by an improvement of sensual enjoyment.

But first the notion that man has a body distinct from his soul is to be expunged; this I shall do by printing in the infernal method, by corrosives, which in Hell are salutary and medicinal, melting apparent surfaces away and displaying the infinite which was hid.

If the doors of perception were cleansed everything would appear to man as it is: Infinite.

For man has closed himself up, till he sees all things through narrow chinks of his cavern.”

From The Marriage of Heaven and Hell by William Blake

William Blake, writing in the 1790’s, was probably unaware of Patanjali’s Yoga Sutras,  but he intuited the need for an inner transformation of perception to awaken humans to the mysteries and sacredness of Divine Creation. Aldous Huxley, Jim Morrison, shamans in many cultures, and many in the baby boomer generation discovered that certain chemical compounds dramatically transformed the inner landscape and opened certain doors to mystical places. As mentioned in the previous post, shamans also use drumming and rattling to induce a shamanic state that opens mystical channels to the infinite. Yogis of old developed an inner science of practices without chemicals or strange side-effects to also open up the mystical world. These practices are called asana and pranayama, or ‘hatha yoga’.

As mentioned in the last post, Patanjali has four sutras addressed to pranayama and these address energetic transitions and phase shifts that Blake was referring to as ‘salutary and medicinal’. They also offer the possibility of preparing the consciousness for shamanic journeying and begin by linking pranayama to asana. Patanjali waits until the Vibhuti Pada  to go into the shamanic realms where he unfold various siddhis or mystical powers that arise when ‘samyama’ is turned toward various aspects of nature, but serious hatha yogis learn sooner or later that pranayama can be a gateway.

The Yoga Sutras aim for a ‘masculine – trancendence’ form of spirituality, with the final goal as ‘kaivalya‘, where Purusha separates from Prakriti and rests alone. This, of course is a very important step in the process of awakening, but the modern world requires an integral, non-dual spirituality that requires proficiency in differentiating (not separating) the deep infinite stillness of Purusha, but also proficiency in navigating and integrating the depths of Prakriti, Mother Nature, the world of spirit, and then bringing both together moment to moment, becoming cosmic channels of healing for our planet.

II- 49 tasmin sati shvaasa-prashvaasayor gati-vicchedah praanaayaamah
With that attained, (the mastery of asana) begins the exploration of more subtle life energies through regulating the natural flow of inhalation and exhalation.

Mastery of asana includes what Patanjali describes in the previous three sutras:

II-46: refining sthira and sukham, aka the balancing of weight and lightness, ground and sky, of movement and stillness. This transforms our bodies into three dimensional perceptual fields of fluid sensitivity moving consciously through the fourth dimension, time. Building perception and learning to balance opposing forces as we move through life, and as life moves through us, are key here.

II-47: Relaxing all effort and becoming absorbed into the cosmic field, aka ananta, or ishvara: In the Samadhi Pada, Patanjali puts a strong emphasis on surrendering into the infinite, Ishvara Pranidhana. This returns here as a deep trust of the biological and cosmological wisdom gained from billions of years of evolution. It is very easy to impose onto Nature as we have been programmed by modern culture to do so. Will power or discipline, known as tapas, abhyassa and vairagyam in the sutras, should be applied to help inhibit our pathological habits, not to impose our will onto Nature.

II-48: Recognizing unity in all duality, so that all layers and levels of yin and yang are seen to be integral to, not opposed to each other. What appear to be opposing forces are actually two complementary forces acting in harmony to allow growth and complexity to emerge. When we find the fulcrums, the places of rest amidst the movements, and can stay there, stabilize our attention there (abhyassa), the next levels of subtle perception can emerge from the deep background. Energetic wholeness is a place of easy, effortless transition of attention through the planes or frequencies open to our attunement.  Asana actually has very little to do with exercise, gymnastics, stretching or relaxation, not that that these aren’t fun, or cannot be very useful to creating a reasonable level of health. Asana is phase one of preparation for the deeper inner journeys the old yogis, shamans and mystics had been taking for eons. Pranayama is phase two.

II- 50 baahyaabhyantara-stambha-vrttih desha-kaala-sankhyaabhih paridrsto diirgha-suukshmah
The movements of breath are outward, inward and restrained. Practice involves allowing the stages of the breath to become longer and more subtle as you explore where the breath is felt inside the body, how longs the movements take, and how many cycles you can perform safely.

If we have a strong felt sense of our innate fluidity, breath is felt as waves rolling through the ocean of our body. We can begin to dissolve the stuck places that inhibit even smoother flow of these waves and also begin to allow the natural pauses to spontaneously lengthen. Beginners in yoga would be off doing asana and just feeling the breath in restorative poses, building perception without force. Then inhalation is used to train the ribs shoulder girdle and pelvic girdle to expand and the spine to lengthen form the inside outward. Exhalation is used to train the dome of the diaphragm to stretch up, lifting and widening while the perimeter lines lengthen downward. Imagine the diaphragm as the dome of a parachute, with weight pulling the cords down and a constant upward pressure lifting the center of the dome upward. This uplifting is constant as the heart sits atop the dome.

An average non-yoga trained person inhales by pushing down on the center of the diaphragm, flattening out the dome, and exhales by collapsing the chest down onto the lungs. This inevitably leads to the ‘pear shape’ body you see in many middle age humans accompanied by a diaphragm that moves less and less. For this person, the diaphragm needs to learn how to move more and practices diaphragmatic breathing or belly breath. The abdominal wall moves up and down as the diaphragm disentangles. Hopefully the exhalation comes from the rebounding and restrengthening of the abdominal wall, pushing the diaphragm back up toward its natural dome shape. This type of breathing is also often taught to singers. Yogic breathing takes this several steps further in sophistication

II- 51 baahyaabhyantara-visayaaksepii caturthah
The fourth (in addition to outward, inward and restrained) surpasses the limits of outward and inward.

This suspension of the breath is spontaneous and not the result of the previous mentioned kumbhaka practices. In other words, there is no sense of ‘practicing pranayama’, but of resting in deep neurological stillness. It is from here that we begin to feel the more subtle realms of energy and psychic presence and surrender to the deeper layers of fluid movement. Instead of waves, there are felt as much much slower tidal rhythms that we will discuss in a future posting on craniosacral practice.

TII- 52 tatah ksiiyate prakaashaavaranam
Then the covering of illumination is weakened.

The covering of illumination, the “narrow chinks of his cavern,” is weakened, or cleansed upon the refinement of the art of pranayama. What might this mean from a neuroscientific perspective? An article in Scientific American on the how psychedelics act in the brain states: “In effect, psilocybin appears to inhibit brain regions that are responsible for constraining consciousness within the narrow boundaries of the normal waking state, an interpretation that is remarkably similar to what Huxley proposed over half a century ago.” (Aldous Huxley, is his famous book, “The Doors of Perception” spoke of his experience with mescaline.) In many ways, the waking state restrains consciousness, primarily as a survival mechanism in the modern word. You would not want to be driving a car or operating heavy machinery while having a shamanic experience. You might also have Unknowntrouble doing your taxes or writing a legal brief with the mystical channels open. Jill Bolte Taylor, author of ‘My Stroke of Insight” had her left brain citta vrttis nirodhahed by a stroke that left her in an ecstatic state of right brain bliss. But her barely functioning left brain saved her life.

Pranayama, being not quite so dramatic, inhibits mind activity by calming down the reactivity of the autonomic nervous system through the balancing of the fire and water elements. In modern culture, the water element is totally neglected, with fire and air predominant. We have a planet full of angry people, full of deluded ideas and belief systems, unable to feel their own aliveness, never mind anyone else’s.

The Practice: Last posting was about refining our perception of the breath. The importance of this cannot be overemphasized. Today we will begin to differentiate ribs from diaphragm, in perception as well as action. You can do this in any seated position, provided you are aligned, upright and comfortable, or lying down in any supported restorative posture. When lying down you gain spinal relaxation, but lose mobility in the ribs. In sitting, you have more mobility in the ribs, but more potential effort in the spinal column.

Step 1: Relax and let the normal breathing settle. Let your heart be light, open and spacious. Get a feel for how you are this moment. Soften all unnecessary tension, especially in the face, neck, and throat. Drop the groins and release the anal mouth. (We’ll get to mula bandha later. Most people hold way too much autonomic tension here and the nervous system cannot shift to the deep parasympathetic tone needed with a tight asshole.)

Step 2: Imagine you have bird wings and let the inhalation begin with a widening of the ribs, as if you were extending your wings sideways. As best possible keep the diaphragm relaxed so the ribs can work. Feel the pelvis widening simultaneously.

Step 3: On the exhalation, let the ribs and wings wait a bit and the belly squeeze the diaphragm up into the center of the chest to initiate the exhalation. As the diaphragm ascends, gradually allow the ribs and wings to release back to center, without the ribs sinking.

Step 4: repeat, slowly, mindfully.

Step 5: As the ribs widen on inhalation, feel the perimeter of the diaphragm, where it attaches to the ribs, being drawn inward and downward, like the cables on a hot air balloon. Imagine the diaphragm connected through the pelvic bones all the way to the feet. Keep the center of the diaphragm always lifting up through the heart, so the heart floats lightly throughout the inhalation.

Step 6: Now on the exhalation, as best possible, keep the ribs expanding, resisting the urge to exhale by dropping the chest. Let the fibers of the diaphragm lengthen up and the dome of the diaphragm expand higher and high upward to push out the air. Over time, the ribs will get more expansive and the diaphragm longer and more elastic. Slowly release the ribs back onto the uplifted diaphragm without dropping the sternum, like a bird drawing in its wings while keeping its chest open.

Step 7: and any time in this process, pause and let the normal breathing return. Notice any tension sneaking in. When you are finished, lie down and digest to sensations. Imprint the felt differences between ribs and diaphragm, and then rest as deeply as possible. Feel the spaces between breaths, thoughts, bones and organs. Let time slow down, space expand and see what arises from the depths of stillness.

In you next asana practice, keep feeling the differentiation. Which poses help open the ribs? Which help stretch the diaphragm? Which compromise the breath?