The Sinoatrial Node

When I first discovered Charles Ridley’s book “Stillness: Biodynamic Cranial Sacral Practice and the Evolution of Consciousness, stillness coverthere was an amazing flash of insight awakened after reading just a few pages. Here was an articulate presentation of a very subtle and yet highly embodied wisdom that I knew in the depths of my sixth chakra to be true, but had not quite been able perceive or experience. These were cosmic clues on the great treasure hunt of embodied awakening waiting to be explored.

This was six years ago and now some of Charles’s insights are finally emerging in my own living matrix as sensations, perceptions and clarity. I am not a cranial sacral practitioner but I do swim through the inner waters of my being and find Charles’ maps incredibly relevant for us yoga/somanauts. This brings us to a fascinating place in the body, the sinoatrial node. This natural pacemaker, a bundle of neurons surrounded by connective tissue in the form of collagen fibers and fibroblasts, sits at the upper back portion of the right atrium near the superior vena cava.

Those of you who have been following along in the Tuesday class know we have been exploring the  the inferior vena cava and the connective tissue structures surrounding it, Unknown-1as it comes up from behind the liver and enters the heart, while also tracking the pressure gradient from the lower dantian (belly) up into the chest cavity. By following the blood vessels, we can bypass the diaphragm, which tends to divide our sense of the torso into upper and lower. As the lower dantian energy, in the form of pressure, is trained to rise up, it lifts, stretches and opens the diaphragm and expands the chest cavity from the inside. This creates more space for the heart.

The superior vena cava, bringing de-oxygenated blood down from the head neck and arms empties, along with the inferior vena cava, into the right atrium. Here the descending and ascending energies of the venous system meet right at the SA node. How delightful. According the Charles, (and this is a lot to take in, but give it a go);

“…embryogenesis is the power for transmutation….Biodyamically speaking, this act infuses the life-giving radiance from the heart field into the inertial patterns and transmutes it into a healthy state. … Non dual awareness is the stage upon which transmutation acts out its mysterious drama in full consciousness. The fulcrum or center of this stage is your hearts pacemaker, or sinoatrial node, where infinite stillness and finite form unite.”

The sinoatrial node, surrounded by collagen and fibroblasts, is the center of the connective tissue intelligence. Living here in sensitivity is a major goal of awakening in the world of form. As we trace perception and the energy fields and charges along the connective tissue pathways, we are also returning to our embryological origins and reawakening a primal intelligence that permeates all life forms. Resting in the silence of the heart is a beautiful thing. Feeling the origins of integration in the embryological pathways allows a deep settling of all unnecessary fear and anxiety into the vast ocean of stillness. This is ‘sthira sukham asanam’, the drashtuh sva’rupe , spoken of by Patanjali. This is the non-dual integration of form and formless in direct experience. We need patience and persistence to awaken the intelligence of these tissues as these sensitivities tend to be subtle or hidden in the beginning. But they are the ‘core’ of the body and, as such, carry information to every cell in the body, integrating nervous system, circulatory system and the gut tube.

images-3Feel the heart as the center of all action and perception. Open the main channel through the chakras, through crown and root, connecting heaven and earth. Trace to centers of hands and feet. From feet follow Tom Myer’s “deep front line” to liver and heart activating with a charge of energy like you are charging a smart phone. Feel the link to the sa node. Drop into stillness. repeat… forever…

The I Ching … on presenting the I Ching

I love the circularity, or pehaps the cyclicality of the universe. imgres-1I have been immersed in a Taoist phase of practice for quite a while now, exploring all levels of reality through the lens of embodiment (spirit becoming flesh) and the yin/yang polarities of the cosmos. (By the way, Patanjali is also a Taoist. The very first practices he introduces, early in the Samadhi Pada come as a pair, abhyasa and vairagya. He also refers to the dvandvas, the pairs of opposites, in Sutra II-48, his third sutra on asana.)

Back in my college days, I was introduced to theimages-1 I Ching, also known as the “Book of Changes” by Huston Smith in his class on Eastern Spirituality and for several years after I immersed myself in exploring the radical wisdom unfolded in the I Ching. On a shamanic adventure in Sedona Arizona a few years ago I was reintroduced to the hexagrams and had an immediate re-awakening to its importance to the somatic explorations in my practice. I recently pulled out my old copy from college, started some enquiries and have been further blown away by how alive, dynamic and relevant it is! I decided to do a blog post on the basics of I Ching, and asked the I Ching to comment on my decision.

I will explore the answer in a minute, but want to mention that in reading the introduction to get some background info, I found that Carl Jung, imgres-3when asked to write a preface to Richard Wilhelm’s famous translation, (and the one I use) had a similar idea.  He asked the I Ching to comment on his idea of presenting the I Ching to the Western mind. I will include the answer he received a bit later as well.

It is difficult to explain the I Ching to Westerners as there is no obvious correlate in either Western spirituality or science. The modern world tends to see a universe of independent, or even isolated causality. The I Ching emerged from an understanding of absolute wholeness or interconnectedness, at every level, at all times. Dating from as early as 1000 BCE, the hexagrams are essentially ways to explore how your sub or unconscious is aligned with the fullness of what is unfolding in the present moment. As the universe is in constant motion, life conditions are constantly changing. Is it time to move, or time to wait? Move with caution, with joy? Many layers and nuances are enfolded into the teachings of the I Ching, allowing you to have a cosmic perspective on decisions or choices you may be making and on the overall dynamics of the natural world. The I Chng immerses you in a world of fire, water, earth and wind, of safety and danger, of growth and decay, of teaching and learning, leading and following, of fundamental creativity and fundamental receptivity.

You approach it by first asking a question, then building a hexagram composed of 6 lines, each either yin (divided) or yang (solid) and finally reading the commentaries that accompany that hexagram in the book. The hexagram is seen to be composed of 2 trigrams, each representing an aspect of the natural world, the seasons, or the mother, father, 3 daughters and 3 sons. There are 8 possible trigrams, 64 possibles hexagrams. images-2

The interpretation of the hexagrams in the I Ching involves both comparing the two trigrams and their aspects to each other as well as the relationship of each line to each other line.

The classical approach to constructing the hexagram uses either a bundle of 49 yarrow stalks or three coins. Using coins are easier to explain. Heads are assigned the yang number 3, tails the yin number 2. The coins are shaken and tossed and the sum is calculated. Three heads gives 9, three tails gives 6. These lines are called old yang and old yin. They are known as moving lines and add relevance in the commentary. The sum can also total 7, young yang, or 8, young yin. These young lines are static and do not invite further commentary. The first line is the bottom line of the hexagram and you build up to line six at the top.imgres-2

In asking the I Ching about my presenting it in the blog, I threw 8, 7, 8, 6, 6, 9, corresponding to hexagram at the left. This is called Mêng / Youthful Folly and is addressed to students and teachers. (Uncanny is a good word!)  The upper Trigram is Kên, Keeping Still, Mountain; the lower trigram is K’an, The Abysmal, Water. The commentaries following come from the edition of the I Ching shown above, Bollingen Series XIX from the Princeton University Press.

The Judgment: YOUTHFUL FOLLY has success. It is not I who seek the young fool; The young fool seeks me. At the first oracle I inform him. If he asks two or three times, it is importunity. If he importunes, I give him no information. Perseverance furthers.”

(my commentary: The I Ching waits for students to come. It is happy to answer an honest question. But it won’t waste time on foolishness.)

“Commentary: In the time of youth folly is not an evil. One may succeed in spite of it, provided one finds an experienced teacher and has the right attitude toward him. This means, first of all, that the youth must be conscious of his lack of experience and must seek out the teacher. Without this modesty and this interest, there is no guarantee that he has the necessary receptivity, which should express itself in respectful acceptance of the teacher. This is why the teacher must wait to be sought out instead of offering himself. Only thus can the instruction take place at the right time and in the right way.
A teacher’s answer to the question of a pupil ought to be clear and definite like that experienced from an oracle; thereupon it ought to be accepted as a key for the resolution of doubts and the basis for a decision. If mistrustful or unintelligent questioning is kept up, it serves only to annoy the teacher. He does well to ignore it in silence, just as the oracle gives one answer only and refuses to be tempted by questions implying doubt.”

The Image: A spring wells up at the foot of the mountain: The image of youth. Thus the superior man fosters his character by thoroughness in all that he does.”

The Lines: Six in the forth place means: Entangled folly brings humiliation. For youthful folly, it is the most hopeless thing to entangle in empty imaginings….Often the teacher, when confronted with such entangled folly, has no other course but to leave the fool to himself for a time, not sparing him the humiliation that results….
Six in the fifth place means: Childlike folly brings good fortune. An inexperienced person who seeks instruction in a child like and unassuming way is on the right path, for the man devoid of arrogance who subordinates himself to the teacher will certainly be helped.

Nine at the top means: In punishing folly, it does not further one to commit transgressions. The only thing that furthers is to prevent transgressions. Sometimes an incorrigible fool must be punished. He who will not heed will be made to feel. The punishment is quite different from a preliminary shaking up. But the penalty should not be imposed in anger; it must be restricted to an objective guarding against unjustified excesses. Punishment is never an end in itself, but serves to restore order.”

(My commentary: The I Ching is a teacher and advises both students and teachers on how to be in a healthy relationship.)

Carl Jung received hexagram 50, images-3Ting, the Cauldron with nines in the second and third place, in response to his question about presenting the I Ching to the West. The Cauldron represents nourishment. The trigram Li  “Fire” sitting above the trigram Sun, “wood/wind”. “Nine in the second place means: There is food in the Ting, my comrades are envious, but they cannot harm me. Good Fortune.” Nine in the third place means: “The handle of the Ting is altered. One is impeded in his way of life. The fat of the pheasant is not eaten. Once rain falls, remorse is spent. Good fortune comes in the end.”

Jung goes on to say that the I Ching was observing that although the spiritual nourishment is available (food in the Ting), it was being neglected (the fat of the pheasant, the most valuable part, is not eaten). But perhaps the new audience will appreciate what it has to offer. (Good fortune comes in the end.)

Here’s hoping good fortune comes to all. Wisdom is everywhere, but there are places where the essence of wisdom is highly concentrated. For those of us immersing ourselves in the natural world, this several thousand year old masterpiece is one such place.  May it offer you insight and guidance on your journey through life. Remember ‘youthful folly’ can be the beginning of learning.

 

Barcelona, 2013

“The Sacred Side of Barcelona” images

“Sacred Sounds”

Last Sunday found us wandering through the back roads of the hillside Park Güell, trying to find the famous mosaics, playful buildings and salamander attributed to Barcelona’s famous architect Antoni Gaudi and the great views of the city and harbor. Coming around a corner on one of the many winding paths, we were suddenly immersed in waves of beautiful sounds coming from one of the street musicians. The music sounded almost like a steel drum, only softer, more subtle, and it was coming from an instrument I had never seen before, a ‘PanArt Hang’. Pure heart sounds that stopped you in your tracks and dropped you into the infinite. Sacred sounds. Alex Permanyer was the musician and after soaking in the sounds a bit and asking him about the instrument he was playing I bought one of his cd’s . Later on, upon opening it, I found this quote ” Silence is not the absence of sound, but it is the absence of oneself.”  Cosmic attunement is such a delight. Here is Alex in Belguim.  http://youtu.be/TKTZLxvJbus.

“Sacred Space”

Earlier that same Sunday (although all days, all moments are sacred, stillness can seem to be more accessible on Sundays), we spent the morning in Gaudi’s masterpiece, the vast cathedral known as the Sagrada Familia. gaudi sagrada familia collumnsFrom the outside it is busy and somewhat chaotic with all of the cranes, scaffolding and construction equipment, get-attachment-3(The hope is to be complete by 2026), but the interior is like nothing else on earth. Gaudi was a great student of nature and incorporated natural forms, shapes and patterns in all of his work. A master of engineering, his use of supporting columns and hyperbolic arches is stunning. The effect is of standing in a magical redwood forest, with the columns as trees and the canopy bursting open with branches leaves and light. The photo to the right is a view looking up one of the columns to the ceiling.

Gaudi was also amazing with his use of sunlight and stained glass.gaudi light edited This is a momentary glimpse of how the morning light illumines the interior spaces.  And it changes moment to moment. And it is much more stunning in person, in the vastness of the nave. The Sagrada Familia was Gaudi’s true passion and the sacred space he envisioned and created is transcendent.

“Sacred Embodiment”

Timing is everything. Our stay in Barcelona overlapped with the biennial World Swimming Diving and Water Polo Championships and we were lucky enough to see parts of the first ever High Diving competition. Until this summer, the Olympics and worlds have just included spring board and 10 meter platform diving. In Barcelona, the women went from 20 meters (65+ feet) and the men from 27 meters (90 feet). Here is  Gold medal winnerget-attachment-4 Orlando Duque from Colombia on his way down during a practice day,  somatic meditation in action. Although new to this championship, Orlando has been high diving for 15 years and can be seen on the Red Bull Diving circuit, (coming to Boston and the ICA later this month.)  get-attachmentAnna Bader of Germany won the bronze, but this was a moment that had everyone gasping. Just a simple handstand on the edge of a 65 foot drop. She walked to the edge, planted her hands, and lengthened into a deep uttanasana. She then went up effortlessly, locked it in for a good 10 or more seconds, wind blowing, cameras flashing, and then pushed off and flew. Amazingly exciting to watch that level of integration.

There are blessings, nourishment and cosmic delight everywhere, but our week in Barcelona provided an extraordinary abundance. These were just a few. Hope you get to visit some day.

Thanks to Sean Kilmurray for the photography.