More Detroit Notes: 7 Sacred Directions

Posted on February 25, 2016 by admin

Balance and Energy Flow through the Seven Sacred Directions

The gyroscope offers a model to help get us started in our exploration of our embodied energy fields. We have a vertical axis, a radiant horizontal plane, and a center point where they meet. Feel this dynamic spiraling energy in your body so we can locate, inhabit and awaken the seven sacred directions of the cosmos. We will find a center and three pairs or polarities of energies that interact with each other to guide us home to the wholeness of the Sacred Universe, our true nature, or drashtuh svarupe.

In our bodies, our heart is the Center, the place of balance, of home. This is the first direction, the primary direction and organizing center, and is represented by the energies of expanding and condensing as shown in the Hoberman spheres. Energies fills the heart from the other six directions, and the heart radiates energy out to the world through the other directions. The other six directions all find expression of their qualities through the heart as variations of Love

The vertical axis gives us the first of the three pairs of sacred directions and is our connection to the ‘unseen’ or hidden realms of existence, (unseen to our ordinary senses and modes of attention!)

The second direction is Down, through our root chakra, the muladhara, into Mother Earth, into the deep feminine, the dark underworld of the unconscious, of life at its primal level, unconditioned by social rules and repressions; into the shamanic world of fairies, elves, djinns and nymphs; of plant and animal guides and an ageless wisdom waiting to be rediscovered. We might call this the realm of the “Soul”. Patriarchal cultures are terrified of this realm and have demonized it for millennia. Still happening today, sad to day. If you believe yoga is about gaining controol of the body/mind, than your soul is needing serious nourishment! Fortunately there is a vast movement diving into ‘Soul”, ‘waking down’, rapidly making its way though many dimensions of modern culture into the world. To dive into the soul in a healthy way, we need the support of all seven directions.

The polar opposite direction, Up, connects us through our crown chakra to the heavenly realms of angels, Buddhas, and no longer embodied enlightened beings and teachers, to the intelligences of other stars and galaxies yet to be noticed on our planet. Traditional, ie patriarchal, forms of spirituality have place ascending, (getting to heaven, kaivalya) as primary or only way of spiritual growth. We are now moving toward an integral approach to spiritual practice that honors, and requires, all directions.

The horizontal plane has the final four directions, two more pairs, also known as the cardinal directions of North, South, East and West. These represent the ‘seen world’, (as opposed the the unseen of the vertical axis) taken in by our five senses. These directions can be seen as references for pairs of skills and talents, life situations and challenges available for us to be cultivated and healed during our time here on the planet. This is a cross cultural model with different attributes and imagery associated with each of the four. They may represent: the four seasons of summer, fall winter and spring; the four cardinal moments of the day: sunrise, noon, sunset and midnight; the four basic elements of earth, water, fire and air. Native Americans use the four directions of the ‘Medicine Wheel’ as map for the sacred journey of life. For our purposes here we will draw upon observations from Bill Plotkin’s Wild Mind” mentioned in a previous blog, as well as a more traditional yoga perspective and poses, as we embody these possibilities.

East: Sunrise, the front of the body, purva, as in purvottanasana, beginnings and rebirth, springtime. From “Wild Mind” we find the combination of innocence and wisdom leading to simplicity and joyousness, curiosity and a sense of adventure in life. When East is lacking or repressed, we can get dark and heavy, weighted down by West’s connection to death and dying and the challenges of ‘soul’ work.

West: Sunset, autumn, the back of the body, paschimottanasana, endings, letting go, completions, introspection. ‘Wild Mind’: A connection to death and transformation, the underworld, the ‘soul’, to romance that is utterly and darkly mysterious, to our muse that flows from our deep imagination. When West is repressed or lacking, we can become very superficial or trivial as East’s lightness loses the grounding provided by West. This is common in spiritual communities with a charismatic leader with a dark shadow. If we are looking for the ‘light’ but refuse also to see and acknowledge the dark shadowy side that we all, including spiritual teachers, have, we repress our own unconscious pain and confusion. We pretend to be ‘light’ because we believe that is what spirituality is supposed to be about, but our souls suffer deeply when ignored.

North: Midnight, winter, the elders, keepers of the ancient wisdom, the left side of the body. “Wild Mind”: the nurturing adult, the healer, leader; the source of compassion and connection, of belonging. When North is repressed or ignored, we can become selfish and hedonistic as ‘wild youth’ of South loses its way in the world without the guidance of the adults and elders. Modern culture lives with North repressed as most of the ‘leaders’ in politics and business these are terminal self centered adolescents.

South: Noon, summer, the right side of the body, youth. “Wild Mind”: wild and indigenous, totally home as an embodied being, erotic, instinctually alive and connected to all of the natural world, flowering, traveling, celebrating aliveness. When South is neglected or repressed, we can become overly serious and frozen in our beliefs and attitudes as the adult side loses its wild and youthful balance. The future becomes terrifying and we long for the ‘good old days’ when things were ‘done the right way’.

The Embodied Practice:

Start with any centering pose, sitting or standing. From your heart, open root and crown chakras to open center channel, balance front body with back body, right side with left. Feel centered and alive. Rest in the stillness at the root of the heart. In all poses keep returning here again and again.

Balancing North and South, aka Right and Left. Many standing poses are designed to balance right and left. By doing each side with awareness of center channel and front/back balance, the imbalances can be seen explored, and balanced, as best possible. Go beyond the structure and feel Right/South and Left/North qualities awakening and growing. Find poses where you can stay long enough to take all this in. In all poses, balance right and left. (Notice that hatha yoga is a very ‘South nurturing’ practice.)

Balancing East and West, aka Front and Back. Forward bending and back bending poses are obvious. Go beyond the structure to add the qualities of East and West in your explorations. Mild back bends like salabhasana or sphynx and simple standing forward bends are great ways to play with layers beyond the physical. Keep your back muscles relaxed to feel the West/mystery behind you. It is a scary place so we all tend to hold on, unconsciously. Of course, in all poses, balance front and back.

Balancing Heaven and Earth, head and tail. Inversions, supported when necessary offer an obvious way to balance above and below. But any and all poses allow the sense of up and down, into the earth and up the the sky, weight and lightness.

Integration: The Spiral: Feel how twisting poses allow you to play with all directions simultaneously. Be the gyroscope, and feel how you can spiral up, down or both. How you can turn right, left or both, in any twist. Spin out to the horizon line and back into to your center. Expand your horizons beyond the body, and what you think are your limitations. These poses are really fun.

Returning to the Source: Savasana: Back into the center, into the stillness, into the mystery.

Moving Out into the World

When ready, bring all of your qualities, all seven directions, your Whole Self, into the world and live the good life in all of its delightful and challenging aspects.

The Role of the Soul

Posted on February 1, 2016 by admin

As our unfolding continues on through the mystery, clues keep arriving to help orient to wholeness and facilitate the emergence of the next levels of consciousness necessary to help navigate our historical moment. Through a very typical Ojai convergence, I have just come across the work of Bill Plotkin, author of ‘Soul Craft” , “Nature and the Soul”, and his most recent book, “Wild Mind”. As a fellow soul traveler with strong links to Thomas Berry and Brian Swimme, Bill’s unique perspective strongly resonates with me and I hope you can find great inspiration from his vision as well

As a psychotherapist, Bill has a deep curiosity about mind, conscious, sub-conscious and unconscious, and has a great vocabulary to help map and flesh out the psychic and psychological terrain we are all exploring. He is familiar with Internal Family Systems and Voice Dialogue, and has developed his own model and language for the mature and immature parts, based in part on the Native American ‘medicine wheel’ and the four cardinal directions, north, east, south and west, as seen here. Bill also adds in Greek mythology, Jungian psychology, archetypal imagery, and more, but also allows you to find metaphors and language that speak to your own unique self.

From the four cardinal directions, which we can imagine as a horizontal plane, we add three more directions: above, or towards the heavens and celestial realms, which we call ‘Spirit’; below, down into the earth and the heart of mother nature which we call ‘Soul’; and finally into the center of all, which I call the ‘Ego’. We all begin at the center and maturing brings an integration of all seven directions, which I call the ‘Self’. Integration does not imply that every aspect and possibility has matured and completed its unfolding. Just that all seven directions are included in our basic ‘self sense’, and some maturity has begun to deepen the way in which the seven nurture and support each other in their emergence and deepening maturity. Wholeness is our natural state, but we forget, and the ego begins to act from the parts and sub-personalities that are cut off from the others. In “Wild Mind”, Bill goes into great depth about the seven directions and I highly recommend this to you.

***(an important note on language; words are, as the Buddhists say, are fingers pointing at something, but definitely not the object or experience they are pointing to. Spirit and Soul are words pointing to the same experience as the Sanskrit terms Purusha (timelessness, unboundedness, stillness: the masculine expression of divinity) and Prakriti (creation, mother Nature, impermanence, the feminine expression of Divinity. Bill and I agree in this, whereas Adyashanti reverses the words, using Spirit for the feminine and Soul for the masculine. But then Bill Plotkin uses Ego and Self opposite to the way I do. He uses the expression 3-D Ego to describe what I call the Self. He has a more Western based perspective, myself more Eastern. But the principles are exactly the same.)

Bill’s other passion is wilderness and uses wilderness expeditions for vision quests, soul searching, and other means to break out of the shell of a ‘civilized’ ego. Our self sense has become so limited, stunted and deformed by modern society that we have developed a major cultural psycho-pathology that is destroying the planet. Wilderness experience, going one on one, alone with nature, with some guidance, allows a major shift that can open repressed skills and means of knowing that are essential to our growth and survival, as individuals, and as a species.

As somanauts, our encounter with nature can also be an inner voyage to the cells, organs, meridians, nadis, energy channels and fields that comprise our bio-spiritually embodied selves. This is level one soul work. The role of the soul is to help us fully embody our divinity, inwardly and outwardly. In yoga, we explore the seven directions spatially, through movement, imagination and perception, in postures, to shift consciousness from the everyday routine to a communion state with the soul. We become one with earth, water, fire and air, we feel their gifts, their presence, their power, so when we are out in nature, we already are deeply connected through the elements. The deeper dimensions of the soul can then begin to reveal themselves as we meet the birds, bees, flowers and trees, oceans, waves, winds and rain as dimensions of our own deep soul. We no longer observe nature from a distance, but dissolve into the mystery of the unfolding moment. The soul is not about control, but surrender into Creation at the most primary level.

Grad student homework: (This may take a while, or it may come quickly!)

Find your own chakra totem, one animal/plant being for each chakra, one through seven. Find the gift/feel/flow of each of these and how they relate to the other six. You may find only one to begin, but this can be a very rich exploration in and of itself. This is a soul meditation. These are some possible starting points. You may find others as well. Good luck!

Who is my root support?
Who awakens my feeling of flow?
Who empowers me?Who offers my heart roots and wings?
Who liberates my voice?
Who helps me see all?
Who is my primary celestial guide?

Take what arises onto the mat, and out into Nature and the world around you. Be open to surprise.

I’ve Got Rhythm (and so do you!)

Posted on October 7, 2015 by admin

Who could ask for anything more?

One of the major means of facilitating shamanic journeying is the rhythmic beating of a drum or shaking of a rattle, to help the brainwave patterns shift to 4 – 8 cycles per second (Hz) theta waves, the range just above the delta waves of dreamless sleep, but just below the alpha waves of waking consciousness. This dream state band is a rich source of information about not only our inner world, but also about the hidden dimensions of the outer world. What is it about rhythm that is so powerfully transformative? There is no culture on the planet that does not have a rich tradition in music and dance, including India, home of yoga, so we may discover the roots of yoga embedded in the inner rhythms of our embodied being. What is the connection between rhythm and our aliveness?

Many eons ago Mother Nature decided a nervous system would be useful for life on planet earth. Animals (as opposed to plants, which do not have nervous systems) needed to be able to move about their environment, to find food, mates and shelter, while simultaneously avoiding danger. The nervous system evolved to coordinate perception, prediction and movement so animals could learn and master certain survival skills that could be called upon in a moments notice. Mother Nature’s secret to coordinating this complex system is rhythm.

Rodolfo Llinas, In ‘I of the Vortex: From Neurons to Self’ develops a model of how timing waves generated in localized neuronal structures modulate global neuronal activity, much as a conductor sets the pace and dynamics for an orchestra. He describes the origins of the nervous system, and the related mind and ‘the mindness state’ as the need for “predictive interactions between mobile creatures and their environment.” (Here is the beginning of dance.) “Neurons arose within the space between sensing and moving. This space mushroomed to become the brain.” (The possibilities of dance became more and more complex.) “Neurons came into existence in order to facilitate and orchestrate the ever-growing complexity of sensori-motor transformations.” (Action and perception are integrated rhythmically. As we yogis know that samyama is the integration of the organs of action and the organs of perception with the intelligence to create a single conscious movement within the entire body, we can now say that yoga involves learning how to shake your buddhi. )

From the back cover of ‘I of the Vortex’: “At the heart of Llinas’ theory is the concept of oscillation. Many neurons possess electrical activity, manifested as oscillating variations in the minute voltages across the cell membrane. On the crests of these oscillations occur larger electrical events that are the basis for neuron to neuron communication. Like cicadas chirping in unison, a group of neurons oscillating in phase can resonate with a distant group of neurons. This simultaneity of neuronal activity is the neuro-biological root of cognition. Although the internal state that we call the mind is guided by the senses, it is also generated by the oscillations within the brain. Thus, in a certain sense, one could say that reality is not all “out there”, but that we live in a kind of virtual reality.”

Not that we need to ground our shamanic experiences in science, but here we are. We are resonant with the world around us at a multiplicity of frequencies, both internal and external, and we build a sense of reality and self from our perceptions of these fluctuating rhythms. How many of these resonances do we actually perceive, how many are fully activated and integrated into our daily activities, how many others are available to explore in our practice?

Llinas goes on to propose that in the background of the brain, “continuously humming”, are 40 Hz coherent electrical waves linking the thalamus and cerebral cortex in timing waves that may be the basis for a ‘self sense’. As we mentioned above, the shamanic journeys often involved traveling on the 4 – 8 Hz theta wave frequencies in the brain. There are many other rhythms of aliveness available for exploration as well.

Practitioners of Chinese and Tibetan medicine learn to read the pulsing of the heart and circulatory system and a skilled practitioner can differentiate 24 – 29 different types of pulse. Heart beats run in the 40 – 100 beats per minute, translating to .8 – 1.6 cycles per second. Craniosacral therapists tune into the three tidal rhythms of the cerebro-spinal fluid system. These much slower rhythms include: the cranial rhythmic impulse at 8 – 12 cycles per minute; the middle tide at 2 – 2.5 cycles per minute, and the very subtle long tide is 90 – 100 seconds per cycle. We will explore these craniosacral rhythms in a future post.

Yogis and other somanauts learn to travel on the physiological frequencies of the respiratory system, and our exploration in the next few posts will be to play with these in pranayama practice. The breath is universally acknowledged as a gateway into the inner functioning of mind and body as it links the structures, diaphragm, ribs, spine and limbs with all of the emotions, from fear and anxiety, to delight and joy. We will learn how to ride the rhythmic oscillations of the breath like a surfer and possibly discover new worlds and new rhythms of connectivity between our selves and the inner realms of creation.

The first step, and our practice today, is to establish contact with the feel of the breath and dive deeply into its waters. In yogic terms, it is dharana – dhyana – samadhi aka samyama applied to the flow of energy we call breathing. The fundamental rhythmic pattern has four stages: inhalation where the lungs fill; exhalation where they empty; a brief pause where the inhalation ends and before the exhalation begins; and another pause after exhalation and before the inhalation begins. In a normal healthy breath, these pauses are smooth and fluid. There is no residual tension. If very relaxed, the pause after exhalation may be quite long, revealing a deep inner stillness. (Remember that all energetic processes arise in stillness and look to find completion by returning to stillness.) These pauses are unique and very important in our practice.

Either lying or sitting in a comfortable position, let your attention move to and stay with the breath. (This is meditation 101.) Sustain the sense of being suspended in the breath while your curiosity awakens. Some questions to consider: How does the skin move/respond to the breathing? the bones? the large outer muscles? the smaller, inner muscles?, the pelvic organs? the abdominal organs? the heart and lungs? the neck, throat and face? And: can you feel your diaphragm? your intercostal muscles? Many questions for many days and years of practice. Perhaps only one is needed to nourish you in this practice session.

Allow the breath to become smoother and softer by dropping whatever tension and sense of effort you can. Pay special attention to the pauses. The breath may become more shallow, or possibly deeper. Either way, let the breath lead you. You are feeling, listening, receiving sensation riding on the waves of breath. Let the breath lead you deep into the stillness and rest there. Let the stillness radiate out through your cells. Nurture this state so it becomes easier and easier to access. Then bring it into your daily activities.

Here is Patanjali on pranayama, (with my commentary) from the Sadhana Pada.

II- 49 tasmin sati shvaasa-prashvaasayor gati-vicchedah praanaayaamah
The mastery of asana allows the exploration of more subtle life energies through regulating the natural flow of inhalation and exhalation.

Mastery of any asana means the ability to sustain the posture through time without any aggression or dullness in the organism. This is the natural state of the animal kingdom but because the human mind can interfere with this natural state of relaxed aliveness we need the interventions learned in asana. Eventually asana, the innate intelligence of posture and movement sustains itself as we move through life. (We do need to keep practicing to maintain this!) When the outer layers of the body, the musculo-skeletal system, are harmoniously integrated (sattva) the more subtle physiological or organic movements are seen more clearly and they may reveal more subtle blockages in the pranic flow. Pranayama practice is a way to help dissolve these blockages.

II- 50 baahyaabhyantara-stambha-vrttih desha-kaala-sankhyaabhih paridrsto diirgha-suukshmah
The movements of breath are outward, inward and restrained. Practice involves allowing the stages of the breath to become longer and more subtle as you explore where the breath is felt inside the body, how longs the movements take, and how many cycles you can perform safely.

Pranayama is not a practice of the will the way asana can be. It emerges as a natural sensitivity to the pranic flow that you can ride the way a hawk rides a thermal or a school of fish rides ocean currents. The practice involves constantly getting out of the way of aliveness, of dissolving the subtle blockages in the pranic flow from emotional memories and habits, and releasing the inner currents of prana through the organs and cells.

Although Patanjali mentions three movements of the breath, there are technically four: exhalation (rechaka), restraint or retention after exhalation (baahya kumbhaka), inhalation (puraka), and retention after inhalation (antara kumbhaka). The two retentions are different from each other because of the physiology of respiration and are included in the more advanced forms of pranayama

Inhalation is a neurologically initiated action. When the CO2 level in the blood reaches a certain level, the vagus nerve triggers the diaphragm to contract and draw air into the lungs. Exhalation does not have such a trigger and thus we often have to learn to exhale. This is especially true in cases of COPD, emphysema and asthma where sufferers struggle to inhale into lungs that have no room because the exhalations have been forgotten. In yoga, the exhalation is learned first as it is calming to the nerves and mind. Then, when exhalations comes easily, inhalation can begin to be prolonged. Trying to force air into lungs still half full is stressful and pranayama is about releasing stress, not adding more.

Over time, the ribs, diaphragm and spine become more elastic and integrated and the breathing cycles flow more and more effortlessly. Then you begin to notice the natural pauses that arise at the end of the in breath and again at the end of the out breath. These ‘restraints’ are spontaneous and natural. As your pranayama practice becomes more relaxed, you begin to prolong the pause after the in breath. This is known as retention after in breath or antara kumbhaka. As there is no reflex to exhale, this is safe. The ribs are sustained in an open state and the diaphragm is suspended dynamically. Ideally there is no sense of strain or effort but simply an allowing of the lungs to absorb more and more of the oxygen and release more of the CO2.

In baahya kumbhaka, retention after exhalation, the lungs and blood stream have become so saturated with oxygen from the expanded inhalations and retentions that there is no reflex to inhale for quite some time. This is a very quiet internal state and can lead to the experience of a new level described next.

II- 51 baahyaabhyantara-visayaaksepii caturthah
The fourth (in addition to outward, inward and restrained) surpasses the limits of outward and inward.

This suspension of the breath is spontaneous and not the result of the previous mentioned kumbhaka practices. In other words, there is no sense of ‘practicing pranayama’, but of resting in deep neurological stillness.

II- 52 tatah ksiiyate prakaashaavaranam
Then the covering of illumination is weakened.

Obscurations is a lovely Buddhist word describing the nature of the dull or stuck (tamasic) and agitated or chaotic (rajasic) mind states and activities that are said to cover the inner light of seeing, vidya, of the Seer resting in unbounded awareness. Even the breath can be seen as a very subtle disturbance and when the mind is in deep rest, the breath is effortlessly suspended and only light remains. This is not an action of the will, but the result of a natural stillness.

II- 53 dhaaranaasu ca yogyataa manasah
And the mind becomes fit for concentration

Manas is that aspect of mind dealing directly with the senses and thus it is often busy. When it is still and undisturbed, buddhi, the aspect of mind that sees, is now ready for its refinement. The vital energies, as prana, have been calmed and clarified by pranayama practice leaving an alert stillness in the mind field.

Photo of George and Ira Gershwin courtesy of Stephen Pond.