Yin/Yang and the Olympics

I love the Olympics. As a somatic explorer, I am fascinated by the pursuit of embodied excellence, where humans challenge gravity to explore the myriad possible ways the human body can gracefully move through space. And the addition of danger adds a lot to the ‘wow’ness of the moment. The extraordinary discipline, precision and will power these athletes display raises the bar for all of us in our own personal pursuit of excellence in whatever our passions may be. And, at this level of embodied presence, the Yin/Yang relationship is so clearly obvious that the Olympics are a great teaching tool for us somanauts.

Winter Olympics: Ice, snow, cold, very yin. How to use yang heat to warm up, expand, burst out into space without losing a sense of where you are in relationship to Mother Earth. Gravity is the stage. The powerful attractive pull of Mother Earth, the Yin, is relentless. But so is the attraction of the Father Sky, up into the sun, into the light, into the unknown mystery awaiting us. How do we respond to both of these opposing forces in way that is integrated, creative, artistic, beautiful, elegant and delightful?  When we feel yin/yang as two aspects of a single urge to grow, they nurture and support each other.

When the movement brain, the organizing intelligence of the nervous system that facilitates all movements through space is awake and engaged, there are endless possibilities. As yoga students, we often tend to be unaware of the movement brain and rely on thought and will power to control the body. We have to be able to feel what is already alive and moving inside us, nurturing this flow of sensation/perception and intelligence. B.K.S. Iyengar described this perfectly in his description of samyama in asana, where the organs of action, the yang/karmindryas, have to listen to the organs of perception, the yin/jnanindryas) as the intelligence (buddhi) merges with them to create a single conscious flow of aliveness. (Click on the samyama link and read/listen to this with a yin/yang framework.)

(If you read the rather dense yet simplified description of the movement brain by clicking the link above, amazingly enough, you will discover the brain operates, at its core, within the yin/yang model. Neurons can inhibit/turn off (yin) or activate (turn on) (yang) other neurons to send information through the system. From this binary core, incredible complexity can arise. This is samyama, or Yin/Yang at a cellular level).

Somethings to watch for with a Yin/Yang lens. Activate your mirror neuron system to really feel the energy flow.

Pre-movements: In the intense flow of a race or dynamic performance, subtle adjustments to change directions require pre-movements that come from the subtlety of the flow. We can call this effortless effort. When there is overcompensation, there is a break in the flow, and you lose precious time, or crash. Find the ever-present subtle flow in your own body, even as you are just sitting. In your personal practice, any time you transition in and/or out of a pose, let the effortless flow lead you.

Tail energy: Crucial in balance and landing from jumps and aerials, but in every action you will see. Watch/feel the relationship between the tail enegy (rooting/root chakra/grounding) and the feet, whether on skates, skis or snowboards. Feel it in your own body. Go beyond being a spectator.

In the jumps and aerials: Feel in your own body the Yield (yin) loading, followed by the and Push (Yang) take-off, various upper body/lower body actions, with right/left and head/tail rotations in the air, and then the landing yin yield with a yang fluid flow out. See how the relationship between upper and lower body creates powerful rotations, and how they can rotate around more than one axis at a time while in the air.

When on the ground: Feel the power from the yin lower dantien through the legs into the ground to generate movement. The skiiers, snowboarders and skaters all have strong roots and legs. Feel how the upper yang torso floats lightly, remaining in balance, steering the body with eyes and subtle adjustments of the flow through the feet.

Figure Skating: My wife Kate was a competitive figure skater in her youth, so she can tell the difference between a triple loop and a triple flip. I see the power in the jumps that comes from loading/yielding weight into the skate blade edges, followed by a burst up into a spiraling twist. Feel the effortless transition yin/yang transitions when they switch from moving backward to forward and vice versa. In the spins, feel the center axis ( yin thrusting vessel) and the use of arms and legs to create horizontal stability (yang girdle vessel.)

Skiing: Notice the use of edges and how that grounds the body at steep angles (hopefully). In the wide leg standing poses, the same edge action applies energetically. It is not about the separate parts of the feet, but how the energy flows through the whole body through the feet into the ground.

Luge: going tail first really awakens the root intelligence. Talk about a moving meditation! Very subtle inner adjustments help steer. amazing balance of stability and movement.

Speed Skating: Right/left, up/down, holding the edges on the curves; feel the power, speed and balance in action.

Intense practice (yang) needs to be balanced with rest and recovery (yin.) There are many injuries that accompany such intense practice in pushing the edge of possibility. Finding balance is challenging. The risk/reward ratio changes as we get older. Know where you are on the spectrum and use wisdom as it grows to keep you healthy and creative simultaneously.

A very small percentage of the athletes win a medal. Winning is a transient phenomena, exhilarating for sure. But is the in the act of practicing and participating, in ‘just doing it’ that the embodied learning, the emotional maturing and the life long skills emerge. In the long run, we learn far more from ‘falling down’ and making ‘mistakes’ than we do from our successes. Again, there is a balance. It feels great to ‘get it right’ to ‘nail it’, to accomplish a goal. But life is a continuous flow, and the flow is life. We grow by developing emotional and psychological resilience, not winning or losing, so as we flow through life, life flows through us.

Many of the athletes have described how they were inspired by watching others when they were very young, and deciding to go for it themselves. We all should be so inspired!

Tao’ist Healing

Happy New Year, 2018

The Thomas Fire, which devastated a large area in Ventura and Santa Barbara counties, sent Kate and myself on a four week journey away from the fire and smoke, and our last stop was a week at the Upaya Zen Center in Santa Fe, where Kate had spent a weekend in November. Zen has, in many interesting ways, woven its way through my life, but I had never formally sat zazen in a zendo. The main teacher at Upaya, Roshii Joan Halifax, had lived in Ojai for many years, and is an amazing woman with a small but deeply engaged group, so it was energizing and inspiring to sit with them and be so graciously welcomed into their community.

One one of the evenings there has a dharma talk and the primary focus centered around a painting by a famous Japanese Zen master and painter, Hakuin. The name was familiar to me, but I wanted to know more about him and came upon the following story. Three things jumped out at me.  The first is the awesomeness of synchronicity, where multiple levels and layers and questions and answers come together spontaneously in the moment. Secondly, Hakuin’s journey of healing felt like the path of healing trauma, and the fire had induced and evoked quite a lot of trauma in my own nervous system. And finally, the guidance offered Hakuin was straight from the Tao’ist principles we have been exploring for the past year or so. I have been using the meditation and it has helped me tremendously in getting through some challenging nights.

This story and the accompanying notes come from the web site Buddism Now.

Hakuin Zenji (1689-1769)  describes the “Zen sickness” he contracted in his latter twenties and the methods he learned from the recluse Hakuyu in the mountains outside Kyoto that enabled him to cure the ailment.

Virtue, by Hakuin Ekaku. www.metmuseum.orgOn the day I first committed myself to a life of Zen practice, I pledged to summon all the faith and courage at my command and dedicate myself with steadfast resolve to the pursuit of the Buddha Way. I embarked on a regimen of rigorous austerities, which I continued for several years, pushing myself relentlessly.

Then one night, everything suddenly fell away, and I crossed the threshold into enlightenment. All the doubts and uncertaint­ies that had burdened me all those years suddenly vanished, roots and all—just like melted ice. Deep-rooted karma that had bound me for endless kalpas to the cycle of birth-and-death vanished like foam on the water.

It’s true, I thought to myself: the Way is not far from man. Those stories about the ancient masters taking twenty or even thirty years to attain it—someone must have made them all up. For the next several months, I was waltzing on air, flagging my arms and stamping my feet in a kind of witless rapture.

Afterwards, however, as I began reflecting upon my everyday behaviour, I could see that the two aspects of my life—the active and the meditative—were totally out of balance. No matter what I was doing, I never felt free or completely at ease. I realised I would have to rekindle a fearless resolve and once again throw myself life and limb together into the Dharma struggle. With my teeth clenched tightly and eyes focused straight ahead, I began devoting myself single-mindedly to my practice, forsaking food and sleep altogether.

Before the month was out, my heart fire began to rise up­ward against the natural course, parching my lungs of their essen­tial fluids.[1] My feet and legs were always ice-cold: they felt as though they were immersed in tubs of snow. There was a constant buzzing in my ears, as if I were walking beside a raging mountain torrent. I became abnormally weak and timid, shrinking and fear­ful in whatever I did. I felt totally drained, physically and mentally exhausted. Strange visions appeared to me during waking and sleeping hours alike. My armpits were always wet with perspira­tion. My eyes watered constantly. I travelled far and wide, visiting wise Zen teachers, seeking out noted physicians. But none of the remedies they offered brought me any relief.

Master Hakuyu

Then I happened to meet someone who told me about a hermit named Master Hakuyu, who lived inside a cave high in the mountains of the Shirakawa District of Kyoto. He was reputed to be three hundred and seventy years old. His cave dwelling was two or three leagues from any human habitation. He didn’t like seeing people, and whenever someone approached, he would run off and hide. From the look of him, it was hard to tell whether he was a man of great wisdom or merely a fool, but the people in the surrounding villages venerated him as a sage. Rumour had it he had been the teacher of Ishikawa Jozan [2] and that he was well versed in astrology and deeply learned in the medical arts as well. People who had approached him and requested his teaching in the proper manner, observing the proprieties, had on rare occa­sions been known to elicit a remark or two of enigmatic import from him. After leaving and giving the words deeper thought, the people would generally discover them to be very beneficial.

In the middle of the first month in the seventh year of the Hoei era [1710], I shouldered my travel pack, slipped quietly out of the temple in eastern Mino where I was staying, and headed for Kyoto. On reaching the capital, I bent my steps northward, crossing over the hills at Black Valley [Kurodani] and making my way to the small hamlet at White River [Shirakawa]. I dropped my pack off at a teahouse and went to make inquiries about Mas­ter Hakuyu’s cave. One of the villagers pointed his finger toward a thin thread of rushing water high above in the hills.

『東坡笠屐図』 Su Shi (Dongpo) in a Straw Hat and Sandals © The Metropolitan Museum of ArtUsing the sound of the water as my guide, I struck up into the mountains, hiking on until I came to the stream. I made my way along the bank for another league or so until the stream and the trail both petered out. There was not so much as a woodcut­ters’ trail to indicate the way. At this point, I lost my bearings completely and was unable to proceed another step. Not knowing what else to do, I sat down on a nearby rock, closed my eyes, placed my palms before me in gassho, and began chanting a sutra. Presently, as if by magic, I heard in the distance the faint sounds of someone chopping at a tree. After pushing my way deeper through the forest trees in the direction of the sound, I spotted a woodcutter. He directed my gaze far above to a distant site among the swirling clouds and mist at the crest of the mountains. I could just make out a small yellowish patch, not more than an inch square, appearing and disappearing in the eddying mountain vapours. He told me it was a rushwork blind that hung over the entrance to Master Hakuyu’s cave. Hitching the bottom of my robe up into my sash, I began the final ascent to Hakuyu’s dwell­ing. Clambering over jagged rocks, pushing through heavy vines and clinging underbrush, the snow and frost gnawed into my straw sandals, the damp clouds thrust against my robe. It was very hard going, and by the time I reached the spot where I had seen the blind, I was covered with a thick, oily sweat.

I now stood at the entrance to the cave. It commanded a prospect of unsurpassed beauty, completely above the vulgar dust of the world. My heart trembling with fear, my skin prickling with gooseflesh, I leaned against some rocks for a while and counted out several hundred breaths.

After shaking off the dirt and dust and straightening my robe to make myself presentable, I bowed down, hesitantly pushed the blind aside, and peered into the cave. I could make out the figure of Master Hakuyu in the darkness. He was sitting perfectly erect, his eyes shut. A wonderful head of black hair flecked with bits of white reached down over his knees. He had a fine, youthful complexion, ruddy in hue like a Chinese date. He was seated on a soft mat made of grasses and wore a large jacket of coarsely woven cloth. The interior of the cave was small, not more than five feet square, and, except for a small desk, there was no sign of household articles or other furnishings of any kind. On top of the desk, I could see three scrolls of writing—The Doctrine of the Mean, Lao Tzu, and the Diamond Sutra.[3]

I introduced myself as politely as I could, explained the symptoms and causes of my illness in some detail, and appealed to the master for his help.

Cure

After a while, Hakuyu opened his eyes and gave me a good hard look. Then, speaking slowly and deliberately, he explained that he was only a useless, worn-out old man—”more dead than alive.” He dwelled among these mountains living on such nuts and wild mountain fruit as he could gather. He passed the nights together with the mountain deer and other wild creatures. He professed to be completely ignorant of anything else and said he was acutely embarrassed that such an important Buddhist priest had made a long trip expressly to see him.

But I persisted, begging repeatedly for his help. At last, he reached out with an easy, almost offhand gesture and grasped my hand. He proceeded to examine my five bodily organs, taking my pulses at nine vital points. His fingernails, I noticed, were almost an inch long.

Furrowing his brow, he said with a voice tinged with pity, “Not much can be done. You have developed a serious illness. By pushing yourself too hard, you forgot the cardinal rule of religious training. You are suffering from meditation sickness, which is extremely difficult to cure by medical means. If you attempt to treat it by using acupuncture, moxacautery, or medicines, you will find they have no effect—not even if they were administered by a P’ien Ch’iao, Ts’ang Kung, or Hua T’o.[4] You came to this grievous pass as a result of meditation. You will never regain your health unless you are able to master the techniques of Introspective Meditation. Just as the old saying goes, ‘When a person falls to the earth, it is from the earth that he must raise himself up.’”

“Please,” I said, “teach me the secret technique of Introspec­tive Meditation. I want to begin practising it, and learn how it’s done.”

With a demeanour that was now solemn and majestic, Master Hakuyu softly and quietly replied, “Ah, you are determined to find an answer to your problem, aren’t you, young man? All right, I suppose I can tell you a few things about Introspective Medita­tion that I learned many years ago. It is a secret method for sus­taining life known to very few people. Practised diligently, it is sure to yield remarkable results. It will enable you to look forward to a long life as well.”

“What you must do is to cut back on words and devote yourself solely to sustaining your primal energy.[5] Hence, it is said, “Those who wish to strengthen their sight keep their eyes closed. Those who wish to strengthen their hearing avoid sounds. Those who wish to sustain their heart-energy maintain silence.”

The Soft-Butter Method

“You [Hakuin] mentioned a method in which butter is used,” I said. “May I ask you about that?”

Master Hakuyu replied, “When a student engaged in medi­tation finds that he is exhausted in body and mind because the four constituent elements of his body are in a state of disharmony, he should gird up his spirit and perform the following visualisation:

近代 王震 佛祖圖 軸 Buddhist Sage. Wang Zhen (Chinese, 1867–1938) © The Metropolitan Museum of Art“Imagine that a lump of soft butter, pure in colour and fra­grance and the size and shape of a duck egg, is suddenly placed on the top of your head. As it begins to slowly melt, it imparts an exquisite sensation, moistening and saturating your head within and without. It continues to ooze down, moistening your shoul­ders, elbows, and chest; permeating lungs, diaphragm, liver, stomach, and bowels; moving down the spine through the hips, pelvis, and buttocks.

“At that point, all the congestions that have accumulated within the five organs and six viscera, all the aches and pains in the abdomen and other affected parts, will follow the heart as it sinks downward into the lower body. As it does, you will dis­tinctly hear a sound like that of water trickling from a higher to a lower place. It will move lower down through the lower body, suffusing the legs with beneficial warmth, until it reaches the soles of the feet, where it stops.

“The student should then repeat the contemplation. As his vital energy flows downward, it gradually fills the lower region of the body, suffusing it with penetrating warmth, making him feel as if he were sitting up to his navel in a hot bath filled with a decoction of rare and fragrant medicinal herbs that have been gathered and infused by a skilled physician.

“Inasmuch as all things are created by the mind, when you engage in this contemplation, the nose will actually smell the marvellous scent of pure, soft butter; your body will feel the exqui­site sensation of its melting touch. Your body and mind will be in perfect peace and harmony. You will feel better and enjoy greater health than you did as a youth of twenty or thirty. At this time, all the undesirable accumulations in your vital organs and viscera will melt away. Stomach and bowels will function perfectly. Be­fore you know it, your skin will glow with health. If you continue to practise the contemplation with diligence, there is no illness that cannot be cured, no virtue that cannot be acquired, no level of sagehood that cannot be reached, no religious practice that cannot be mastered. Whether such results appear swiftly or slowly depends only upon how scrupulously you apply yourself.

“I was a sickly youth, in much worse shape than you are now. I experienced ten times the suffering you have endured. The doctors finally gave up on me. I explored hundreds of cures on my own, but none of them brought me any relief. I turned to the gods for help. Prayed to the deities of both heaven and earth, begging them for their subtle, imperceptible assistance. I was marvellously blessed. They extended me their support and protec­tion. I came upon this wonderful method of soft-butter contem­plation. My joy knew no bounds. I immediately set about practising it with total and single-minded determination. Before even a month was out, my troubles had almost totally vanished. Since that time, I’ve never been the least bit bothered by any complaint, physical or mental.

“I became like an ignoramus, mindless and utterly free of care. I was oblivious to the passage of time. I never knew what day or month it was, even whether it was a leap year or not. I gradually lost interest in the things the world holds dear, soon forgot completely about the hopes and desires and customs of ordinary men and women. In my middle years, I was compelled by circumstance to leave Kyoto and take refuge in the mountains of Wakasa Province. I lived there nearly thirty years, unknown to my fellow men. Looking back on that period of my life, it seems as fleeting and unreal as the dream-life that flashed through Lu-sheng’s slumbering brain.[6]

“Now I live here in this solitary spot in the hills of Shira­kawa, far from all human habitation. I have a layer or two of clothing to wrap around my withered old carcass. But even in midwinter, on nights when the cold bites through the thin cotton, I don’t freeze. Even during the months when there are no moun­tain fruits or nuts for me to gather, and I have no grain to eat, I don’t starve. It is all thanks to this contemplation.

“Young man, you have just learned a secret that you could not use up in a whole lifetime. What more could I teach you?”

Notes:

1. This was a basic notion in Chinese medical lore. Cf. the statement in the encyclopaedic compilation Wu tsa tsu (Five Assorted Offerings, the section on “Man”), by the Ming scholar Hsieh Chao-che: “When a person is engaged in too much intellection, the heart fire burns excessively and mounts upward.” Torei’s Biography (1710, Age 25) lists twelve morbid symptoms that appeared: firelike burning in the head; loins and legs ice-cold; eyes constantly watering; ringing in the ears; instinctive shrinking from sunlight; irrepressible sadness in darkness or shade; thinking an intolerable burden; recurrent bad dreams sapping his strength; emission of semen during sleep; restlessness and nervousness during waking hours; difficulty digesting food; cold chills unrelieved by heavy clothing.

2. The samurai Ishikawa Jozan (1583-1672) retired to the hills northeast of Kyoto in 1641. His residence, the Shisendo (Hall of Poetry Immortals), is located on a hillside overlooking the northern part of Kyoto. See Thomas Rimer, Shisendo (New York: Weatherhill, 1991). There are several caves Hakuyu is said to have inhabited located in the hills behind the Shisendo.

3. The three books are intended to show Hakuyu’s roots in the three traditions: Confucianism, Taoism, and Buddhism.

4. P’ien Ch’iao, Ts’ang Kung, and Hua T’o are three celebrated physicians of ancient China.

5. Vital energy translates the term ki (Chinese, ch’i), a key concept in traditional Chinese thought and medical theory. It has been rendered into English in various ways—for example, vital energy, primal energy, breath, vital breath, spirit. Ki-energy, circulating through the human body, is vital to the preservation of health and sustenance of life and plays a prominent part in the methods of Introspective Meditation that Hakuin learned from Master Hakuyu. The “external” alchemy of the Taoist tradition involved the search for a “pill” or “elixir” of immortality, the most important element of which was a mercury compound (cinnabar). Once found and taken into the body, it was supposed to assure immortality and ascent to heaven, commonly on the back of a crane.

Hakuyu’s instruction is concerned rather with the internal ramifications of this tradition, in which the “elixir” is cultivated in the area of the lower tanden, the “elixir field” or “cinnabar field,” also called the kikai tanden, “the ocean of ki-energy,” the centre of breathing or centre of strength, located slightly below the navel. Hakuin describes the terms in Orategama: “Although the tanden is located in the three places in the body, the one to which I refer is the lower tanden. The kikai and the tanden, which are virtually identical, are both located below the navel. The tanden is two inches below the navel, the kikai an inch and a half below it. It is in this area that the true ki-energy always accumulates.”

(tanden = dantien or elixir field)

Using the Microcosmic Orbit in Asana: Pt 1

20060131gntrailsfilmlight-1Boston Workshop Notes: October, 2017
Part 1

When the Tao’ists of old contemplated the night sky, they noticed the way the stars rotated around the north star, especially the constellations Ursa Major (the big dipper) and Casseopeia ( the mythological Greek queen on her throne. They noticed that this macro-cosmic orbit and its repeating cycles were replicated on the earth as lunar and seasonal cycles of weather and the movements of water, wind, soil (annual flooding, bringing fresh topsoil to the deltas) and heat. When they turned their attention inward, they discovered the human body also has cycles and rhythms (as above, so below). The mapping of what is now called the microcosmic or small orbit awakened links to both physiological and emotional health as well as spiritual awakening.

We can use this the mapping of the human energy field in our explorations of embodied wisdom through yoga/asana practice. Yoga begins by refining the capacity to pay attention. In his commentary to Patanjali’s very first sutra, I.1, Vyasa states “yoga is samadhi”; that “samadhi is a natural attribute of the mind-field or chitta”; but not when the mind-field is disturbed, dull or distracted. Only when the mind field is “ekagra” ( one pointed,) or dissolved in stillness is it said to be yoga. The mental alchemy is the transforming the disturbed, dull and distracted mind states to ones of mindful attention, focused attention and dissolved in stillness.

6 Possible Qualities of Attention:

Disturbed, Dull, Distracted, Openly Attentive (Mindfulness), Focused Attentive (Dharana/Dhyana/Samadhi),  Dissolved in Stillness/Emptiness/Awareness/Drashtuh Svarupe

Open Attention in Action:

Every moment we are engaged in the world around us is an invitation to mindful attention. Driving a car, having a one on one conversation, being in a group environment such as work, shopping or school; these are opportunities to discover the ‘relational fields’ of overlapping energy where our wounded-ness and creativity can both awaken from a place of love, compassion and wisdom. Here, we meet the world as it is, as it arises moment to moment and the ‘inner and outer’, or,  the subjective and objective realms of reality can find integration and the realization of wholeness. Staying present does not mean ignoring past and future, but recognizing they are also arising now. Then we don’t ‘get lost’ or forget, through disturbance, dullness or distraction.

Directions of Focused Attention:

Yoga begins when the mind-field is not just brought to the present moment, but can stay there effortlessly. (Otherwise it is distracted.) The complement to mindful attention, a more global state of awareness, is focal attention or dharana/samadhi. Here attention tunes out everything but a very specific information stream or mental process. It may be an algebra problem in your homework. Or a thesis for a paper. Mediation begins with bringing attention to the breathing process. Us somanauts use the ongoing stream of sensations and perceptions coming form the body to both refine attention and also deepen the capacity to feel and know what is happening. What are some of the ‘seeds’ of attention that can help you cultivate one-point awareness?

Outer objective reality: What is happening around you, locally, globally, cosmically? The present moment offers many possibilities, but also many distractions. You need discipline and passion to keep your focus.

Inner subjective reality: Our thought patterns, emotions, prana/qi flow, dreams, and imagination are all possible entry points to cultivate a refined focal attention.

Subjectivity itself: A little more advanced, but Awareness, or any and all words that point to this, such as: Emptiness, Stillness, Silence, Buddha Nature, etc. Attention dissolves into Pure Awareness with no object of attention.

Four Dimensions of Spatial Consciousness

When we use our embodied energy field, as in asana, to harness attention, we have some delightful geometric possibilities to explore. As asana explores our spatial dimension very deeply, we can use geometry 101 as guide. Geometry describes 4 basic spatial dimensions, and we can call ‘Time’ as the 5th

Zero Dimensional: a point, bhindu, ekagra citta, acupuncture ‘cavity’. A point has no length, no height, and no depth. Thus 0 dimensions. It is a highly concentrated state.

One Dimensional: link two points to get a line. It can be straight or curved (arc), bound or unbound.  It has length, but no width or depth.

Two Dimensional: close the lines to form surface area: geometrical, ie circle, triangle etc, or irregular. Length and width, no depth.

Three Dimensional: volume: spheres, cubes, pyramids, and many other options: length, width and depth.

Four Dimensional: all of the above, moving and changing in time

Focused Attention on Prana/Qi flow with Microcosmic Orbit (General Principles):

Qi gong ImageBringing attention and staying on key points, using imagination to assist with sensation/perception

Linking the points in small arcs/lines through root and/or crown chakras

Bringing attention to the 2 dimensional field dynamics of circles, especially the microcosmic orbit.

Bringing attention and staying on flow through the volume, using the center axis.

Monitoring subjective experience

Resting in Pure Subjectivity (drashtuh svarupe)

Specific Practices While Sitting:

Breathing into the lower dan tien, the lower diamond in the diagram above. Feel the volume of the pelvis up to just below the navel and fill with breath. Feel the pelvic bones moving with the breath like the ribs do. Abdominal breathing (yin/yin, soothing, quieting the illus3mind): fill on in breath, empty on out breath. Reverse abdominal breathing (yang/yin, energizing, activating): empty on in breath, fill on out breath. Explore how  different these two are and learn how to apply them in your daily life. Begin and end all Microcosmic orbit practices in the lower da tien. It awakens the cooling yin water element, grounds the energy into Mother Earth, quiets the mind and builds a strong energetic foundation for your life activities.

Refining the points and arcs of the lower dan tien: While sitting, bring your attention to the CV-1 point in the very center of the perineum. Inhale and exhale through this point, feeling it becoming elastic. Stabilize your attention here. Very tiny micro-movements of the sitting bones back and forth can help you find the center. This is the meeting point of all the yin vessels and a key place in the body to awaken.

Then, find CV-6, on the front body, below your navel. Visualize it out in space as well, like on the hula hoop seen below. This will help activate the whole energy field and help the body stay relaxed. Now, inhale into CV-1 and then imagine the exhalation traveling in an arc up to CV-6. Inhale into CV-6, imagine the exhalation traveling in an arc back to CV-1. Or Inhale from CV-1 to CV-6, exhale return. Or inhale from CV-6 to CV-1, exhale return. Then stay with CV-6, inhaling and exhaling for several breaths until you can find and stay with the point. In actuality, you may find yourself in CV-5 or CV-4, which may be easier to feel, for you, but feeling the arc and the end points is all that counts.

Repeat the above practice, this time going from CV-1 to GV-4 at the back body, exploring one point at a time, traveling back and forth, etc.

Repeat the practice connecting the four points of the thrusting vessel (Chong Mai) as shown above, CV-1, CV-12, CV-22 and GV-20, tracking up and down. This is the chakra line, or mid-line of the body and traces its origin, along with the Conception vessel (Ren Mai) and Governing Vessel (Du Mai),  to the earliest moments in embryological development. Pause at each point for several breaths so it becomes familiar and easier to find. Remember, an acupuncture ‘point’ is actually a ‘cavity or cave’, meaning the action takes place in empty space, both outside and inside the body.

Four Point Breathing: Connect CV-1, CV-6, CV-12 and GV-4 in a square or diamond shape. In Tao’ism, 4 is implies a whole cycle, such as the annual (four seasons,) or daily (midnight, sunrise, noon and sunset.) Or connect CV-1, CV-17, GV-20 and GV-9, (root, crown and heart). Be creative.

Specific Practices While Standing:

images-3Activating K-1:

Once we are on our feet, we want to integrate the limbs with our Micr-cosmic orbit. (Ideally the limbs are engaged while sitting, but it is easier to find them standing.) In tasasana, find the K-1 points on the soles of the feet and engage them. Kidneys are the most yin of the yin organs, governing the water element, so feel them linking to CV-1, the seat of the yin and feel the support coming into the pelvic floor, and the whole micro-cosmic orbit.

Finding Planes (two dimensions): Using the support of the legs, feel the micro-cosmic orbit as a surface bisecting the body into right and left. Fill in the space inside the circle with attention/energy/light/qi, and let your body feel a part of the disc. Soften the tissue and let it respond. In this plane, try bending forward slowly and returning, tadasana-uttanasana-tadasana and feel how the body responds. Does it contract along the yang/back or collapse along the yin/front? Beginners collapse the front. Intermediate students contract the back to prevent the collapse of the front. Use the field of energy created by the plane/energy disc to keep both the front and back body open and vibrant (sattvic). Minimize, as best possible, or course, the collapsing/tamasic and contracting/rajasic habits.

Using the information coming from any of your favorite poses, create your own personal map of the micro-cosmic orbit. Mine has some major gaps. If I use a clock as an image,Clock Face--Hours with GV-20 at 12 and CV-1 at 6, 1 – 5 at the back, 7 – 11 at the front, I have pie shaped blockages between 2 and 3 and 10 and 11 in my energy field, and in the flesh. I try to open them up, and back they go into dullness and confusion. It’s a process.

Correct action will bring up places where your energy field is blocked. the challenge is to meet these with patience, wisdom, lightness, and with what Pema Chodron calls ‘discomfort resilience’. Awakening is not about eliminating problems, but seeing them as opportunities to deepen your compassion and wisdom.

Another way to work with clock is to take points opposite each other and work with them simultaneously. 12 and 6 give us crown and root chakras, or GV-20 and CV-1. Feel the yang energy pushing them away from each other while the yin energy is pulling them together. If I rotate the whole circle 2 hours, I can create a similar polarity with CV-17 and GV-4, or GV-9 and CV-6. This links front and back, upper and lower, yin and yang. You can also be the minute hand moving in a circle through the points. Explore both clockwise and counterclockwise directions. Make up your own ways to play with this.

fish bodyLateral Plane: If we rotate the orbit (clock)  90 degrees we find ourselves in the lateral plane. Crown and root chakras, GV-20 and CV-1 still involved, but we are no longer on the micro-cosmic orbit.  Here we can activate points on the Gall Bladder Meridian on the side body with our fish body poses like trikonasana and ardha chandrasana.

According to Daniel Keown in ‘the Spark in the Machine, theGBmeridian gall bladder is the organ that governs the lymphatic system, a key aspect of the fluid body.

In part two of this post, we will see how the gall bladder points can also be used to give us our sense of volume when we add the girdle or belt vessel (dai mai) and offer some insight on how these ‘vessels’ relate to the organs and meridians. In part three, we will look at how all of this fits into the Tao’st view of spiritual evolution.

Remember:

The tao that can be told
is not the eternal Tao
The name that can be namedimgres
is not the eternal Name.

The unnamable is the eternally real.
Naming is the origin
of all particular things.

Free from desire, you realize the mystery.
Caught in desire, you see only the manifestations.

Yet mystery and manifestations
arise from the same source.
This source is called darkness.

Darkness within darkness.
The gateway to all understanding.

(Chapter 1, Tao te Ching, by Lao T’zu, translated by Stephen Mitchell)