Poses for Quiet Explorations

Lesson 8: Poses for Quiet Explorations

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Restorative yoga poses uses props such as bolsters, blankets, blocks and belts, as well as weights, to allow the body to assume yoga postures that are relaxing and opening simultaneously. Some of the ‘advanced’ restoratives use chairs and benches. B.K.S. Iyengar is the pioneering genius behind this revolutionary approach to asana and most of what will be presented here originates from his insights into working with the infirm and flexibility challenged in his therapeutic classes in Pune. His own practice for the last twenty years has included a deep exploration of supported postures, especially backbends. We will not take it quite so far here, but take notice of the openness and evenness to his organ energy, and the aliveness of his feet and hands. He has a clock for timings as well!

We will introduce a few of the fundamental restorative poses here. In a later session, we will address the notion of sequencing these poses for a class room setting. Remember restorative does not necessarily mean passive. Savasana can be a totally passive pose, but some of the others may require some conscious directing of attention and energy to keep the body aligned and the energy flowing freely. The props take away the need for effort, but are not an invitation to just space out. They are an invitation for a deep somatic meditation.

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The basic restorative posture is savasana, the corpse pose, usually done at the end of class. Most students need support under the knees to help the lower back relax and under the neck and skull if the neck muscles are tight. This student also has an eyebag to help the eyes and brain relax. A variation of supported savasana adds a bolster, or two, to lift and open the chest. Care must be taken to adjust the pelvis so that the lower back is not caught in a tilt that will engage the large erector muscles. Notice the weight in the form of a sand bag on the abdomen to help relax the belly and lower spine. The bolster also offer support to the shoulders, which can hang in an unhealthy way if there is tightness. Another option for tight shoulders, even when lying on the floor, is to take two folded blankets and place one under each arm, from mid humerus out to the hands. This will help the shoulders hang down away from the ribs so the backs of the shoulders let go, without the strain created from the weight of the arms. Pregnant women can do a side lying savasana with knee support, to keep pressure off of the vena cava.

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Viparita karani, a mild variation of shoulder stand, is a classical restorative pose, that uses a bolster and the support of a wall. The reversal of gravity is greatly beneficial to the heart and other organs as well as the endocrine system including the thyroid. A belt can be used to tie the legs together as well.

Mr. Iyengar has his own perfectly designed yoga prop for this pose.

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Supta baddha konasana, the supported bound angle is another favorite pose, as it opens the groins and lower belly to help digestion, elimination and breathing. Although many students do not support the legs, I highly recommend support to the thighs. the primary tightness is in the outer hip muscles, the gluteus medius and piriformis, not the inner thighs. Without support, more often than not, the outer hip muscles will shorten even more. The inner legs will feel a stretch, but they have very little chance of melting. You want the groins to melt, not stretch. This student is also using a belt to hold the feet and help release the sacral area, a nice bonus to the melting groins. You can also place a block under the feet which can relieve tension in the sacral region. In either position, by extending very subtly out through the feet, you can grow your tail energy, further opening the muladhara.

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Supta virasana is a bit more challenging because of the intense knee flexion, but it creates a powerful energetic opening in the chest. A bolster and blanket can also be added to support the spine and ribs and head.

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Restorative twisting poses come in two basic flavors: supporting the upper body in a slightly forward bending pose, and supporting the legs, in a slightly back bending or front body opening pose. In the first case, the student has a bolster and a blanket to support the torso and head, and a blanket under the top leg to keep strain from the outer hip. The head here is in a more advanced position. It is also possible to have the head turned toward us, which is a bit less intense if the neck has issues in rotation. In the second pose, the student has extra height under the top thigh and a folded blanket under the same side shoulder, as this arm often does not get near the floor without strain.

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Finally we will look at supported seated forward bends. Child’s pose is the most popular, and can be done with or without support.

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If the knees are too challenged in child’s pose, the legs can be crossed and a chair and blanket provide support for the head. Try not to collapse the shoulders or neck, so be aware of lengthening the spine even as you are relaxing.

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Working with straight legs, like in uppavistha konasana, a chair or bolster can be used depending upon your flexibility. Here the bolster is supported by a block.

Use these poses as a way to deeply relax and yet be in a state of somatic samadhi, feeling the ebb and flow of chi/prana/breath as the body lets go of layer after layer of tension. Feel the rejuvenation as you resume your daily activities, or head on into dreamland and your evenings sleep.

Recent Posts

The Ten Oxherding Pictures

A Holiday Gift from the Buddhist World to all of us.

The ten Oxherding Pictures from Zen Buddhism represent the stages and path to awakening, integration and enlightenment, with the Ox representing our True Nature and the Oxherder each of us, the embodied being. It is important to note that the stages are not linear but spiralic and multi-dimensional, as we usually can get glimpses of more advanced levels before we have truly completed and integrated the any or all of the previous ones.

Also, we may often be working with several stages at the same time. More subtle awakenings in one level may trigger unconscious and unresolved traumas stored in the earlier levels that then need to be revisited, transformed and integrated. Then, the energy held in trauma is resolved and free to use for deeper growth.

There are many variations on the ten pictures representing the stages, and these are usually accompanied by poetic verses and/or commentary describing the journey. The paintings seen below are traditionally attributed to 天章周文 Tenshō Shūbun (1414-1463), of the Muromachi period in the late fifteenth century and are found at the Shōkokuji temple in Kyoto, Japan.

These stages can be seen as three sets of three transformations, with the final stage standing alone. The first three are the beginners journey, the second three those of the intermediate student, and the final three the most subtle and refined. The tenth transcends all and resolves as the awakened Buddha in the world helping others. Looking more deeply and ironically, we find that ultimately it is the Ox who is training and leading the Oxherder

1: Seeking the Ox
We know something is missing in our lives, but don’t know what it might be, or where to look. Our souls ache, our spirit feels fragile. The spiritual journey begins, but our minds are full of confusion and delusion. Our search is random and we cannot find the Ox anywhere. This is Dante at the beginning of The Divine Comedy.

2: Seeing Tracks of the Ox
Through study and guidance we begin to get glimpses. Maybe we discover yoga or meditation, or find spiritual teachers or writings that inspire us. But although we see the tracks, the Ox is still unseen, unknown. The tracks give us some confidence and we continue seeking, driven by the awakening cosmic impulse to discover/uncover the fullness and truth of our Being. The Ox is calling us.

3: First Glimpsing the Ox
There is the Ox. Wow! So magnificent! How did we ever not see! But the Ox remains elusive, disappearing into the forest. How could that be? Our minds are still confused, our seeking still undisciplined. The Ox teases us. She is everywhere and then nowhere to be found. Our mental habits and beliefs still dominate in spite of the revelation and we struggle to find ground. We are still beginners on the journey.

4: Catching the Ox
We finally catch the ox and grasp the rope to hold her, but she is wild and free, used to cavorting in the fields. We must hold the rope firmly and steadily. The rope of course is our evolving meditation practice and this is where it gets more serious. We are no longer beginners. We are in the realm of un-abiding awakening and must be ‘all in’ with our practice to stabilize the ground. Habits and conditioning have many tentacles extending into the unconscious, so our discipline must become stronger. The Ox keeps us on our toes.

5: Taming the Ox
As our practice becomes stronger, we can hold the rope more loosely as the Ox is relaxing somewhat. It is actually the mind that is relaxing as we begin to realize that the Ox is always steady and it is our minds that are wild and untamed. By relaxing our efforts, our practices can now include resting in the infinite and we become more comfortable in stillness and mystery. Habits still arise as the unconscious has many layers and levels of confusion and trauma, but we recognize the reality that our thoughts arise and fall from the depths of silence and that our delusion is self created.

6: Riding the Ox Back Home
The seeking and struggle come to an end and we can let go of the rope as Ox and herder are one, moving effortlessly together though the world. Buddha Nature is awake and free and we feel spontaneous joy and happiness. The Oxherder plays his flute for the birds and children of the village. This joy and delight can be a surprise as the practice has seemed quite serious at times. Unseen unconscious traumas may still exist so vigilance is still required.

7: Ox Forgotten, Self Alone
The Ox is now gone and the Oxherder sits at home alone. This is ‘Self as ‘I am’ without the need to ‘be something. This is Kaivalya of the Yoga Sutras, Purusha distinct from Prakriti. Up until now, there has remained a subtle sense of duality, of practice and life, of spiritual and not spiritual. This now dissolves. There is no longer ‘something to do’. Everything is meditation and nothing is special. Things are ‘just as they are’.

8: Ox and Self Both Forgotten
Total Emptiness. No concepts, ideas or beliefs, no sense of separateness. Even the “I am” is gone. All gone. Not even the scent of ‘holiness’ or special-ness remains. Gate, Gate, Paragate, Parasamgate.

9: Return to the Source
From the realization of Emptiness emerges the realization that the amazing flow of life always continues on in its own perfection. Seasons come and go. Cherry trees bloom in the spring. Birds sing and the rivers flow. Stars are born and others explode into cosmic dust. Emptiness is Fullness, Fullness is Emptiness. Bodhi svaha!

10: Returning to the Marketplace with Helping Hands
The enlightened being joyfully joins the world to aid all beings on their journey. Freedom, wisdom and compassion are the roots of action. Enlightenment is not passive but celebratory and engaged.

Here are some other perspectives:
From Tricycle Magazine
https://terebess.hu/english/Kuoan1.html
https://terebess.hu/english/oxherd0.html

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